RSA Journal
RSAJournal (Rivista di Studi Americani) is the official journal of AISNA. It is a double-blind peer reviewed journal and is published annually. It welcomes articles in all fields of American Studies and invites contributions by both members and non-members. Each issue comprises a general section and a special topic section.
ISSN: 1592-4467
For submissions and recent issues, please consult RSA‘s new OJS portal.
The journal’s archive (1990-2023) is searchable below.
Author | Title | Pages | Issue/Volume | Year | File |
---|---|---|---|---|---|
Giuliana Muscio | A Transcultural Perspective on the Casting of the Rose Tattoo | 11-34 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Alessandro Clericuzio | Tennessee Williams and Luchino Visconti: Various Stages of Outrage – and Censorship | 35-38 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Christophe Collard and Laura Michels | Complicity Across the Atlantic: A Literary Liaison between Two Androgynous Artists | 59-84 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Lorenzo Piciarelli | Orpheus et les autres: Repression, Racism, Alienation and Superstition in Orpheus Descending and La Putain Respectueuse | 85-102 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Vincenzo Bavaro | Chinese Affection: Tennessee Williams’s Eccentricities of a Nightingale in Hong Kong | 103-124 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
F. Fasce e M. Mariano (eds.), V. Berghahn, D. Gabaccia, G. Robinson, A. Schaefer, I. Tyrrell | Forum: Transnationalism in American History: An International View | 133-170 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Michel Huysseune | “This Country, Where Many Things Are Strange and Hard to Understand”: Booker T. Washington in Sicily | 173-190 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Andrea Carosso | Denied Citizenry and the Postnational Imaginary: Arab-American and Muslim-American Literary Responses to 9/11 | 191-213 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
M. Giulia Fabi and Jacquelyn Y. McLendon | “Though years have flown by”: A Letter from Nella Larsen to Carl Van Vechten | 217-220 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Nella Larsen | A Letter to Carl Van Vechten | 221-223 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
--- | Notes on Contributors | 225-230 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
--- | Abstracts | 231-235 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 | |
Leonardo Buonomo | Mapping American Popular Culture | 5-12 | 24 – Mapping American Popular Culture | 2013 | |
Valerio Massimo De Angelis | Super-Pop Culture: With Great Power,a Greater Irresponsibility | 13-32 | 24 – Mapping American Popular Culture | 2013 | |
Simone Caroti | The Madman’s Embarkation: The Ship of Fools and Richard Paul Russo’s Ship of Fools | 33-47 | 24 – Mapping American Popular Culture | 2013 | |
Daniela Daniele | Pretending to Be Lincoln: Interracial Masquerades in Suza-Lori Parks’s Twin Plays | 49-68 | 24 – Mapping American Popular Culture | 2013 | |
Gianna Fusco | Binders and Bayonets: Irony, Comedy, and Social Media in the 2012 Presidential Campaign | 69-87 | 24 – Mapping American Popular Culture | 2013 | |
Marco Morini | How U.S. Presidents are Regarded Historically | 119-135 | 24 – Mapping American Popular Culture | 2013 | |
Daniele Fiorentino | Italy in 1914: Thomas Nelson Page’s View of the Country at the Outset of WWI | 139-142 | 24 – Mapping American Popular Culture | 2013 | |
Thomas Nelson Page | A Letter | 143-147 | 24 – Mapping American Popular Culture | 2013 |