RSA Journal
RSAJournal (Rivista di Studi Americani) is the official journal of AISNA. It is a double-blind peer reviewed journal and is published annually. It welcomes articles in all fields of American Studies and invites contributions by both members and non-members. Each issue comprises a general section and a special topic section.
ISSN: 1592-4467
For submissions and recent issues, please consult RSA‘s new OJS portal.
The journal’s archive (1990-2023) is searchable below.
Author | Title | Pages | Issue/Volume | Year | File |
---|---|---|---|---|---|
Melani McAlister | “Your Hands, Your Feet”: Evangelical Youth Culture and the Rise of Short-Term Missions | 55-74 | 27 – The United States between Transnationalism and Interculturality | 2016 | |
Raffaella Baritono, Valeria Gennero, Giovanna Covi, Alice Kessler-Harris, Ellen Rooney, Elisabetta Vezzosi, Robyn Muncy | Forum: Gender, Women’s and American Studies | 95-128 | 27 – The United States between Transnationalism and Interculturality | 2016 | |
Fred Gardaphé | Beyond the Immigrant Paradigm: New Italian American Identities and Communities | 131-150 | 27 – The United States between Transnationalism and Interculturality | 2016 | |
Agnese Marino | Postethnicity and Ethnic Performance in Rebecca Walker’s ‘Black White and Jewish: Autobiography of a Shifting Self’ | 151-170 | 27 – The United States between Transnationalism and Interculturality | 2016 | |
Edith Wharton (a cura di G. Balestra) | L’inedito: An Unpublished Sonnet by Edith Wharton | 173-182 | 27 – The United States between Transnationalism and Interculturality | 2016 | |
--- | Notes on Contributors | 183-188 | 27 – The United States between Transnationalism and Interculturality | 2016 | |
--- | Abstracts | 189-191 | 27 – The United States between Transnationalism and Interculturality | 2016 | |
Gianfranca Balestra | Editor’s Note | 3 | 26 – American Life and Literature into Film | 2015 | |
Gianfranca Balestra | Introduction | 6-18 | 26 – American Life and Literature into Film | 2015 | |
Vito Zagarrio | “The true story that inspired the movie.” Cinema, Literature and History in the Digital Age | 19-38 | 26 – American Life and Literature into Film | 2015 | |
Maria Anita Stefanelli | Permanence and Transience in Sofia Coppola’s The Virgin Suicides | 39-60 | 26 – American Life and Literature into Film | 2015 | |
Raffaella Malandrino | “Authorizing for oneself a place in the world”: Coming of Age in Jhumpa Lahiri and Mira Nair’s The Namesake | 61-76 | 26 – American Life and Literature into Film | 2015 | |
Alessandra Calanchi | Guido Fink and American Film Studies: The Early Years (1952-53) | 77-94 | 26 – American Life and Literature into Film | 2015 | |
M. Mitrano (ed.), R. Esposito, D. Pease, P. Carravetta | Forum: American Studies and Italian Theory | 95-140 | 26 – American Life and Literature into Film | 2015 | |
Mario Del Pero | “We are all Harrisburg”: Three Mile Island and the Ultimate Indivisibility of the Atom | 143-175 | 26 – American Life and Literature into Film | 2015 | |
Antonella Francini | Claudia Rankine’s American Lyrics | 177-182 | 26 – American Life and Literature into Film | 2015 | |
Claudia Rankine | Public Trust: Script for Situation Video | 183-186 | 26 – American Life and Literature into Film | 2015 | |
--- | Notes on Contributors | 187-190 | 26 – American Life and Literature into Film | 2015 | |
--- | Abstracts | 191-195 | 26 – American Life and Literature into Film | 2015 | |
Alessandro Clericuzio | Introduction | 5-10 | 25 – Transcultural Perspectives on Tennessee Williams | 2014 |